The Laches features two Athenian generals (Laches and Nicias) and Socrates discussing the essential meaning of courage. Laches defines it as “a certain perseverance of the soul,” while Nicias argues that it consists in “knowledge of what is to be feared and hoped for both in war and in all other matters.” This paper, with the aid of several Plato scholars, argues that although most scholars agree that Socrates does not present his own view of the matter, hence leaving the (...) dialogue without a proper resolution, it may still be surmised that for Socrates, courage means willful yet wise perseverance. (shrink)

Is contemporary media society still interested in truth? This paper will try to unravel the vaguely suspicious epistemic relationship between information marketers and information consumers in today's society. There seems to have been forged a feeling of quasi-omniscience within the private and public spheres wherein people, due to the sheer volume of inforntation readily accessible for viewing at any time, become predisposed to exhibit an intriguingly relaxed relationship with knowledge. If the current systems of information seem to trivialize the question (...) of truth or falsehood, and since the public is apparently just interested in spectacles, then how must we view epistemologically the status of contemporary media discourse? Does it still reveal truth or is it simply empry talk? To address this question, the paper explores a possible parallelism between Plato's critique of rhetoric in his dialogue, Gorgias, and Jean Baudrillard's critique of contemporary media society. (shrink)

This work interfaces the philosophies of Jean Baudrillard and Martin Heidegger. It hopes to contribute to both Heideggerian and Baudrillardian scholarship by employing Baudrillardian ideas in more effectively describing the historical happening of the so-called withdrawal of Being from man, which preoccupied much of Heidegger’s body of work. The work argues that by re-visiting an earlier idea of Baudrillard, which he termed as seduction, one finds a possible way of navigating the obscenity of the current epoch of Being. Akin to (...) Heidegger’s idea of Gelassenheit or releasement, Baudrillard’s concept of seduction invites one to allow the real to once again appear, no longer by way of subjective representation, but to let it appear in its very disappearance in hyperreality. (shrink)